I saw “The Good Girl” at the movies. Right in the row in front of me was what I think was a grandmother and some of her grandchildren. Ok, so looking after the grandkids during the school holidays is cool, but when you take a bunch of little kids to see a movie (and these were little kids – I reckon the youngest would have been about 4, the oldest 8), pick a kids movie. Pick one with a G rating. Pick a fun cartoon or a sassy kids adventure movie. Don’t take your grandkids to a dark, adult comedy. Maybe the gran was thinking that a movie called “The Good Girl” would be about a well-behaved female child. Ha!

The kids spent most of the movie twisting in their seats, bored. The dark adult humour of the film didn’t get anywhere near them. The grandmother spent most of the movie with her neck turned towards the kids, getting them to sit down, handing them popcorn and generally not watching the movie.

But the best bit came during the scene in the movie when Tim Blake Nelson’s character comes out of his house with just a quilt wrapped around him. His dog bites the quilt and pulls it away and there’s a brief glimpse of his donger. As soon as the penis appeared, the grandmother quickly reached over and put her hand over the eyes of the kid in the seat next to her. She loudly whispered to the others “don’t look! Don’t look!”, but by then the next scene had come and the penis was but a funny memory.

John C. Riley was in it. Dylzno has a theory that all movies John C. Riley is in are good. (Ditto for Edward Norton.) I’d go for a lower hit rate, but this was one was good. This, along with “Chicago” and “The Hours” rounds out his lousy-husband trilogy. In this one he was a goofy, pot-smoking husband.

I should also mention Jake Gyllenhaal. I was totally in love with him after seeing “Donny Darko”, but I’m out of love with him after “The Good Girl”. His character is excellent. He’s what a cinematic troubled, rebellious loner teen would be like in real life. i.e. a pretentious dickhead. He’s endlessly cute on the outside, but once Jennifer Aniston’s character (and the audience) get to know him, the crazy, mixed-up ugliness is becomes apparent. And we welcome the real world, where the heroine picks the pot-smoking husband over the cute badboy.

Oh, I just gave away the ending. Or did I?

Because a film isn’t about plot, it’s about how the plot is executed.

Oh yes, on the bus there’s now a magazine for people to read on the bus. It is called “Ticket”. I felt alienated soon after I opened it and read the the magazine was “to read as you get yourself to work”. Not school, not the shops, not uni, not the movies, not a sports even, no, just work. “Ticket” is really boring. It’s filled with boring articles on boring subjects. Boring reviews of things that describe it, but barely express an opinion on it. An unfunny humour column (but isn’t describing something as being funny almost a guarantee that it won’t be?), and that old, old trick of having an article about a subject that is later advertised in the magazine. The editorial urges readers to “stop staring out the window” and read the magazine, but quite frankly, looking out the window is way more interesting than reading boring articles.

Yeah, because if you want something to read on the bus, it’s ok for it to be light and disposable, but make it interesting. I mean, you wouldn’t want to fall asleep and miss your stop.